Artworks

Armistice (2025)

This photo was taken during the total solar eclipse in the northern hemisphere.

Misery Theory (2022)

I like the dark ominousness of this photograph. In reality it was taken during a sunny day. The setting is my high school. The bloke in the picture is an ex-friend.

The A-List (2024)

This is my closet in suspiciously good lighting. I like the brown hue and the shininess of the wood. I, myself, am a sucker for wood cabins and flooring; this photo smells like wood polish to me.

Instrumentals (2022)

I took this photo on a walk one day, I love the silhouette. Against the sunset, it looks amazing. I also really have a soft spot for this album. 

Bedeutung (2022)

Taken by Giuliana Vacca. It has this sort of vintage feel that I could not quite replicate on my own, and the fair equipment looks awesome against the skyline. Thank you to her.

Letters from the Oasis (2025)

This is a photograph of Lake Erie. A specific blue overlay and a poem authored by me. I dedicate this album to someone very special and this record will live on as one of my best, I think.

Anything beyond casual demonstrative explanation (2025)

This photograph captures the darkness of the album. I like how the windowsill is illuminated by the very dull light within the photograph and how the light reflects off of the window.

Yours Truly (2025)

This was taken at a lake in Virginia. Beautiful rural area, and the trees were super vibrant among everything else. I have many photographs from this area.

The Ordovices (2019)

This is not a particularly high-quality extended play by any means or in any regard. The photograph is the same way, but for me it is extremely nostalgic. I used to walk to high school every morning and these were the sights I used to see. It looks almost like watercolour to me. To see the moon setting over the hilltops was really special, especially during full moons.

The Final Cut (2022)

Big Ben, except if it was in Endora from What's Eating Gilbert Grape? Nothing happens in this town, and that is the way it always is. The dreary sky and the faded building still make the picture beautiful. I have walked by this exact building so many times, and it never gets old. I am so tiny against this colossus of a relatively unremarkable building that does not receive much use anymore.

The Cincinnati Tape (2024)

This record was a little piece-together of a bunch of various demos that I had recorded over the weeks during that spring. This photograph was taken by my dear friend Jacob Andrews. Also, ironically, is not a photograph of Cincinnati, one of my very favourite cities in the United States of America. Of course, the tape is named after the track of the same name.

Celestine of the Stars (Unreleased publicly, recorded early 2025)

I was using a programme which simulated space. A core part of the Celestine of the Stars Project, this flagship album (which is separated into Accretion, Acquiescence, and Ascension) is one of the most important undertakings I have went through. Why will it not be released? Simply because it was supposed to be self-fulfilling. Maybe, someday in the future, everything will come out. As for now, though, it will lie in the vault, where it will be safe and sound. Anyhow, the artwork is one of three artworks produced for the album, and this one is my favourite. I love the blue.  

Hollow Words and the Spiral (2022)

This photograph, grainy and low-quality, was taken at four in the morning. I disembarked on a walk early in the morning and saw the moon in the sky. I particularly like the speckled dots around the image. On the left, right above the hill, you can see a luminescent celestial object. On the right, you can see, at the top of the image, something similar. I also just like the silhouette of the hill overtop the building and the sunshine leaking over the hill, as day was to break shortly. 

Farewell to Alms (2025)

This photo was taken by the incredible Isabella Titov. I could never recreate the colours. Also genuinely one of my favourite projects that I have done over the years.

Cainozoic (2025)

This photo was taken by me near the Kinzua viaduct in Pennsylvania. It was in the middle of the night and I liked the liminal feeling of the scene. It was much darker in person, but I like the grainy and photogenic white-line-fever feeling that the photograph exudes.